Selected work


Noomi Rapace on her claustrophobic new film Lamb: “I had been waiting for this my entire life”

Landscapers: Olivia Colman, David Thewlis, and director Will Sharpe on their new darkly comic series

Vanessa Kirby, Katherine Waterston, and director Mona Fastvold on exploring untold histories in The World to Come

Loki director: “We’re getting to set up this whole new part of the MCU”

COVID cinematic universe: Are we ready to see the pandemic on screen yet?

The 12 best anti-Valentine’s Day movies

Buffy the Vampire Slayer combines teen angst and the supernatural to offer a different kind of scary

Gilmore Girls at 20: Why we still find wholesome comfort in Stars Hollow

The Face

Jeff Bezos has made space travel unchic

Girls on Tops

“What is history?”: Documentary as Liberation in The Watermelon Woman and Shirkers


TikTok’s tiny house tours show how generation rent find comfort and privacy

Rianne Pictures

Final Girls Week: Ellen Ripley, Alien

LFF 2020: Biopic and psychological surreality interweave in Shirley

Screen Queens

Phone Calls and the Internet as Intimacy in the Films of Nora Ephron

BFI FLARE’20— ‘Justine’ is an Intimate Story About the Cycles of Addiction

Lucy Writers’ Platform

Postcards in Isolation 12: Georgia O’ Keeffe, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930